Friday, July 02, 2004

Addendum

http://www.poppyware.com/bowditch/maps/elections/voting.html

For those who don't believe my last post, the above link shows that of the 8 stops in Kerry's tour this weekend, 6 fall within "solid Democratic" areas and 2 within "mostly Democratic" areas. None of course, are in an area that has voted for a Republican President since Eisenhower.

All ruralites are the same, part II

http://www.nytimes.com/2004/07/02/politics/campaign/02RURA.html?hp

Another great example NYC provincialism, the NYT today has a story on Kerry's push to attract rural voters. The example of this is his upcoming swing through NE Minnesota and SW Wisconsin. The problem for Kerry, it seems is that "four years ago, George W. Bush won some of his biggest and most decisive margins of victory among rural and small town voters. The problem for the NYT and the author of this story however, is fact checking and history. Cloquet, Minnesota, Independence, Wisconsin and Dubuque, Iowa (three of Kerry's stops on this tour) must be solidly pro-Bush right, after all, they are small midwestern towns (actually, Dubuque hardly qualifies as a small town, but that's another story). Unfortunately for Kerry, all three of these towns are Democratic strongholds, heavy with unionized meat packers and miners along with liberal leaning ag workers. The NYT should tell Kerry he's wasting his trip, as all three of these towns will in all likelihood go 60% for Kerry come November. But then again, its impossible for a Democrat to be working his base in small town America. There is no base there, all small towns are the same, they are all trending Republican, and they all are filled with a backward Republican voting, Jesus worshipping, queer hating working class that at best could be described as "Reagan Democrats," right NYT?

Moore and Krugman

While I stand behind my criticisms of Michael Moore, Krugman's column today is by far the best defense of the film I have yet to see.
http://www.nytimes.com/2004/07/02/opinion/02KRUG.html

Wednesday, June 30, 2004

Finally something to cheer about: Kerry and the Boston Police

Regular readers will know that I am no big fan of John Kerry. Thus, I was pleasantly surprised to learn of his refusal to cross the Boston police picket line. His willingness to do this plus his (relatively gutsy in an era of the most hostile anti-union sentiment in 80 years) statement about never have and not starting now was a breath of fresh air in a campaign that's been pissing me off since day one, I've waited a while to say this: keep up the good work, Kerry.
On a related note, those who have been following the police picket in Boston may have noticed the horribly anti-union slant of much of the coverage. Typically, this involves accusations that the police are taking advantage of the situation with the DNC coming to town. Well duh folks, this is what good unions do. They operate from a position of power, be it power over the work process, power in the boycott, power on the shop floor, or power in public relations. Employers, be they corporations or city governments tend to have more than their fair share, a good union, when confronted with the ability to exercise control and gain a huge bargaining chip jumps at it

From NYC, Blasphemy Part II

(Caveat: I've lived in New York on two different occasions, love much of the city and end up spending usually nearly a month a year here, so this is not solely the rant of a midwestern raised populist). New York "progressives" need to get over it, you serve no purpose. (Caveat number II: I am not referring to the thousands and thousands of women and men in New York who are actually doing progressive work, be it through labor organizing, queer activism, party building, welfare rights work etc..) I am referring to a certain subset of the population, that is, in large evidence in many major cities in America, but is most prevalent and annoying in New York. These people refer to the rest of the country with terms like "red states" and "blue states," as in "you're teaching in Indiana this summer, isn't that a 'red state'?" Or, " I can't believe that Iowa is a 'blue state.' " The logic behind statements like this is down right demeaning, uneducated an offensive. Take the statement about Iowa. It is demeaning and offensive to assume that a state without a major city has no ability to produce progressive voters. This ties into the uneducated aspect as it seems largely lost on most of the New Yorkers I know, have no understanding that the most progressive state governments in American history arose in rural, "backward" states like Iowa. These states produced generations of farmers and later industrial workers who understood there lives to be intimately connected to national and world politics, who understood the need to organize together against economic interests and contest the power of the state, not the "artist subject." To take another example, such people express surprise at Minnesota's tradition as probably the farthest left state in the nation. Now, this great honor of my home state is fading away, but when one looks at the reasons why, it takes us back to what I will call NYC "politihipsters." The reason Minnesota is begining to tilt to the right lies with a huge demographic influx of relatively young, highly educated, culturally attuned migrants. These people have followed tech and medical industry jobs to the Twin Cities, attracted by both the employment possibilities and the cultural investment of the area in art and theatre. These people, who demographically look a lot like "New York "politihipsters" are trending Republican and usurping the traditional Minnesota left alliance of urban service professionals, industrial workers in the cities, miners in the iron range and radicalized farmers. Most of these people would not like to live in New York, they are happy in their mid-sized towns and cities teaching school, fighting fires, manufacturing cars, harvesting wheat, fishing in the summer and watching hockey in the winter. Many of the Republican migrants are much more likely to have lived in New York for some time, usually after graduating from an elite eastern college and spending a few years fucking around in NYC with cocaine, art and investment banking before leaving for professional jobs in places like Minnesota.
The people I am speaking of here tend to only engage at all with politics when Michael Moore tells them too or GWB says something stupid. After "Bowling for Columbine," I was amazed at how many of these people expressed amazement that America had a gun problem. Wow, America has a problem with guns, thanks Michael Moore, I never noticed. Similarly, "Fahrenheit 9/11" has put the city into a frenzy, it is a badge of polithipster honor to have seen it on opening weekend and spend five hours afterward getting drunk on the lower East Side and yelling about how stupid GWB is. As the great historian William Sewell said about Bush, his idiocy is way down on the list of my probelms with him, right after his stewardship of the Texas Rangers and somewhere before his choice of shoes . Politihipsters act as if Bush had 50 (okay 100) more IQ points we would never be in this mess. If he actually went to those "great" classes at Yale, maybe we wouldn't be in Iraq. As if the intellectual and oral gaffes Bush commits on film are more important than his Byzantine foreign policy or economic fascism.
In short, my problem with these people, who often write for the Village Voice (no offense Nat Hentoff, keep up the good work) and get represented as the embodiment of what left there is in America is a lack of nuance. Bush is bad because he is stupid. People from outside of New York (and maybe California) are conservative because they either believe in some sort of Christianity or they've never scene a film by Godard. New Yorkers are inherently progressive because they appreciate art and sushi. Fahrenheit 9/11 is great because its simplicity will appeal to "middle America" and "Red States." Activism is getting a "Bush sucks" tattoo, or wearing a button. Politics is a style and subject position, not the meaningful contestation of state and economic power

Blasphemy, Part I

I'm sick of Michael Moore, flat out sick and annoyed. Fahrenheit 9/11 is a poor film and an even worse attempt at politics. What would be good politics? I don't know, maybe releasing the unedited version of Bush's National Guard medical exam while his total failure to show up for even the most rudimentary training exercises (while he was workng for a segregationist Senate candidate, but that's another story) was in the news cycle. I mean come on, by releasing the memo back in March when Bush's military "service" was an issue would have kept this embarassing escapade on the front pages (by connecting it to the Bin Laden's) for at least another few days, thereby costing him a few points in opinion polls. Instead, Moore, in nothing more than an egotistical flourish, saves it for his film and his sole proprietorship. Get off your high horse about "adopting" unregistered voters Mr. Moore, in allowing your opponents to put there foots in there mouths you sacrificed a much greater cause than your own reputation.
And what about the brilliant scenes of weddings and balloons in pre-invasion Iraq. Wouldn't it play a little less into the Right's hands if you simply noted that under the brutal dictatorship of Saddam Hussein, people had jobs, water, plumbing, schools and electricity, now they have none of those thigns and in fact, an even higher likelihood of dying at the hands of another. Instead, you paint Hussein's Iraq as a place I and everyone would happily move. Now that's not going to be picked up by every center to right American out to get you and the nuanced left, not at all Michael.
I could go on, but one more thing merits particular mention. This film is simply conspiratorial. Michael Moore puts the author of "House of Bush, House of Saud," onscreen with the very simple explanation-this is not a conspiracy, just two incredibly well connected families with mutual interests in oil and the making of millions. But Moore does not seem to agree with this obvious analysis. Instead, while seemingly accepting Mr. unger's analysis, Moore goes on to paint the most conspiratorial picture in a film since Oliver Stone blamed LBJ, the mob, the CIA, Richard Nixon and random homosexuals for the death of JFK. Folks, there was no conspiracy, all there was were particularly well connected capitalists doing what they do best, capitalism.